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The song may also lament the loss of a loved one (particularly a fair woman). Many Caoineadh tunes have their roots/basis in The Troubles of Northern Ireland with specific referral to the existence of the British armed force throughout this period. Examples of Caoineadh songs include: Far Away in Australia,, Returning to Donegal and 4 Green Fields.

Dance music [edit] Irish standard music and dance has seen a range of settings, from home celebrations, country dances, ceili dances, phase performances and competitors, wedding events, saint's days or other observances. The most typical setting for Irish dance music is the, which very typically features no dancing at all. Repertoire [modify] Conventional dance music consists of reels (or ), hornpipes (with swung eighth notes), and jigs (double and single jigs are in time).

Irish Music & Dance Association

Later additions to the repertoire consist of the waltz (with a heavy accent on the down beat) and, in Donegal, mazurkas in the exact same time signature, though with an accent on the second beat. Donegal is likewise significant for its "highland," a sort of Irish version of the Scottish strathspey, but with a feel better to a reel with the periodic scots snap.

Another distinctive Munster rhythm is the Slide in time. The principle of "style" is of big value to Irish standard artists. At the start of the last century (1900 ), unique variation in local designs of performance existed. With the release of American recordings of Irish traditional artists (e. g. Michael Coleman 1927) and increased interactions and take a trip chances, local designs have actually ended up being more standardised.

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g. Tommy Peoples), Clare (e. g. brothers John & James Kelly) and Sliabh Luachra (e. g.  More Discussion Posted Here ). Donegal fiddle playing is characterised by fast, energetic bowing, with the bow creating most of the decoration; Clare fiddle playing is characterised by slower bowing, with the fingering producing many of the ornamentation.